DoloresdelRío(Spanishpronunciation:[doˈloɾezðelˈrio];bornMaríadelosDoloresAsúnsoloLópez-Negrete;August3,1904[1]–April11,1983)wasaMexicanactresswhowasthefirstmajorfemaleLatinAmericancrossoverstarinHollywood,[2][3][4][5]withacareerinAmericanfilmsinthe1920sand1930s.ShewasalsoconsideredoneofthemoreimportantfemalefiguresoftheGoldenAgeofMexicancinemainthe1940s...(展开全部) DoloresdelRío(Spanishpronunciation:[doˈloɾezðelˈrio];bornMaríadelosDoloresAsúnsoloLópez-Negrete;August3,1904[1]–April11,1983)wasaMexicanactresswhowasthefirstmajorfemaleLatinAmericancrossoverstarinHollywood,[2][3][4][5]withacareerinAmericanfilmsinthe1920sand1930s.ShewasalsoconsideredoneofthemoreimportantfemalefiguresoftheGoldenAgeofMexicancinemainthe1940sand1950s.[6]DelRíoisrememberedasoneofthemostbeautifulfacesofthecinemainhertime.[7]Herlongandvariedcareerspannedsilentfilm,soundfilm,television,stageandradio. AfterbeingdiscoveredinMexicobythefilmmakerEdwinCarewe,shebeganherfilmcareerin1925.ShehadrolesinaseriesofsuccessfulsilentfilmslikeWhatPriceGlory?(1926),Resurrection(1927)andRamona(1928).DuringthisperiodshecametobeconsideredasortoffeminineversionofRudolphValentino,a"femaleLatinLover".[8]Withtheadventofsound,sheactedinfilmsthatincludedBirdofParadise(1932),FlyingDowntoRio(1933),MadameDuBarry(1934)andJourneyintoFear(1943).Intheearly1940s,whenherHollywoodcareerbegantodecline,delRíoreturnedtoMexicoandjoinedtheMexicanfilmindustry,whichatthattimewasatitspeak. WhendelRíoreturnedtohernativecountry,shebecameoneofthemoreimportantpromotersandstarsoftheGoldenAgeofMexicancinema.Aseriesoffilms,includingWildFlower(1943),MaríaCandelaria(1943),LasAbandonadas(1944),Bugambilia(1944)andTheUnlovedWoman(1949),areconsideredclassicmasterpiecesandhelpedboostMexicancinemaworldwide.DelRíoremainedactiveinMexicanfilmsthroughoutthe1950s.ShealsoworkedinArgentinaandSpain. In1960shereturnedtoHollywood.DuringthenextyearssheappearedinMexicanandAmericanfilms.Fromthelate1950suntiltheearly1970sshealsosuccessfullyventuredintotheaterinMexicoandappearedinsomeAmericantelevisionseri
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